Comparative Analysis Of The Book Thief And To Kill A Mockingbird

ENGL1101 Introduction to English Literature

Context

Comparative report on The Book Thief by Markus Zusak and To Kill a Mockingbird by Harper Lee.

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The study intends to do a comparative analysis on two literary works Markus Zusak’s ‘The Book Thief’ and Harper Lee’s ‘To Kill a Mockingbird’. Thus the study conducts a thorough analysis over the two. The whole course of the discussion was from different angles including context of the two books, target audience, genre, themes, language features and stylistic techniques. Thus the purpose of the discussion is to conduct a close comparison between two books. Towards the conclusion, the study sums up the entire discussion.

Zusak in his novel “The Book Thief” portrays the picture of the socio-political condition of the society during the World War II. The story of the novel talks about the human relationship despite of the tumultuous condition during the period of war. “I wanted to tell the book thief many things, about beauty and brutality” implies that the novel brings the cruelty of human beings during the period of war; on the other hand it talks about humanity. The novel in this way gives a sympathetic portrayal of German people in the time of World War II as implied by the line. In his novel the Zusak gives a societal description and doing so he depicted how human being during such hullabaloo, sympathise each other and most importantly loved each other. While Zusak wrote the novel from a socio political context, Harper Lee in her novel ‘To Kill a Mockingbird’ sheds the light on racial discrimination which can be seen in the lines: “You never really understand a person until you consider things from his point of view… Until you climb inside of his skin and walk around in it.” Racial discrimination which is a major issue of society has been nicely highlighted in the novel ‘To Kill a Mockingbird’. While highlighting the issue, Lee focuses on describing how the issue affects a human being who is to face discriminative attitude from society.

Both of the two novels have been penned down aiming to attract the attention of the young adults. However, they are not limited to only that range of audience. Both of the novels have been able to achieve popularity among the readers of all age groups. Lee wrote the novel more than fifty years ago but it still holds relevancy in the present days. The novel has secured a place among the school studies due to its moral and cultural significance. At the same time, at the first glance it seems that the target audience of the novel ‘The Book Thief’ is the young adults of German society. However, the novel’s author’s presentation of the then societal condition was not only for the young adults of German society but it is written for a wider audience base. Rather it can be said that the writer’s portrayal of humanity during World War II is to the world. Through his novel Zusak attempted to shed light on how love, humanity can take over cruelty whereas Lee’s attempt to write the novel ‘To Kill a Mockingbird’ intended to create awareness among the readers regrading the ill practices in the society.

Target audience and purpose

Lee’s novel ‘To Kill a Mocking Bird’ which depicts the racial discrimination in society falls under the genre of southern gothic fiction. The events of the story take place in South while it includes the dark aspects of the society. Meanwhile, the story also consists of comic elements. The most significant feature of the Southern gothic is the presence of supernatural element which is seen to be present in the novel. For instance, the role of the ghost played in the novel ‘To Kill a Mockingbird’ by one of the most important character Boo Radley. His name as well as his physical appearance, as described in the novel, signify gothic element. The novel is also a fine example of courtroom drama as the incidents of the novel happen during courtroom trial. The trial of Tom Robinson has been portrayed keeping the convention of ‘courtroom drama’ in mind. Another most significant feature is seen in the novel is bildungsroman. Bildungsroman eludes novel of education, thus it is right to assert that through her novel Lee made an attempt to create an awareness regarding ill practice of racial discrimination among the youth adults as well as among the readers of other age groups.

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On the other hand, Zusak’s novel ‘The Book Thief’ is a historical war novel. The novel centres on the World War II. From the novel, the readers get the picture of socio-political situation during the time of war. Through the historical portrayal, the author gives a nicely portrays his fantasy through the characterization. Beside of historical genre, the novel also falls under the coming-of-age genre. Humanity is the most important aspect that the author wanted to highlight keeping the young adults mindset in mind. The two major aspects that the novel talks about are the aspect of humanity and the cruelty and based on which Zusak perfectly depicted his fantasy.

The novel ‘To Kill a Mocking Bird’ is attempt made by the author to explore human mortality while presenting a continued conversation concerning the good and evil aspect of humanity, “There’s some folks who don’t eat like us”. The role played by Atticus, Scout and Jem’s father, is of a teacher. He is seen to be teaching his children along with the people of town. Atticus teaches his students that human being contains both the aspects of good and evil while making an effort to defend To Robinson who has been accused of raping a white woman.

Genre conventions

In the novel Atticus has been seen to be struggling to eliminate racial inequality from his society. Lee also presents the theme of good and evil through the characters of Scout and Jem while they experience injustice with Tom by the jury just because he is a black. On the other hand, the theme of education is evident prominently in the novel with the conflict of institutionalized education and home education. Scout is seen to be punished for being taught by his father at home.

Throughout the story Atticus instills a sense of morality within Scout and Jem. Thus it is seen that Jem struggles with his own belief during the trial Tom. However, throughout the novel, the theme of social injustice has been again and again brought into highlight by Lee. While struggling in understanding the good and bad concepts Scout and Jem also made an attempt trying to understand the social strata. While scout is of the opinion that “folks are just folks”, Jem’s thinking states that social standing relates to the concept that how long kins of people can write.

On the other hand, Death is a prevalent theme of the ‘The Book Thief’ apart from a personified narrator. Within the setting of World war II, Death is seen to be continuously intersecting with the living human being in Germany as implied by “It happened in a small town of Hitler’s heartland”. Making a close connection with the characters of the story, Death makes his existence prominent when Lisel’s brother and Max’s kin died during war period “He didn’t deserve to die the way he did”. Most importantly Friendship is another major theme which deserves mention. In The Book Thief, friendship often is seen to be aroused in atypical places. War makes people united in the novel. Liesel becomes friends with Hans and Rosa since they love her. Friendship between Max, Liesel and Rosa is seen to be crucial for Max’s survival. The major aspect that Zusak Shed light on in the novel is kindness and cruelty of humans. A varying degree of kindness and cruelty has been seen in the novel.

It can be understood after reading the novel, ‘The Book Thief’ that the writer has chosen a unique style while penning down the novel. The author portrayed Death as the protagonist of the novel. In the novel, Death directly makes his statements the readers which can be barely seen in other novels, “He didn’t deserve to die the way he did”. Thus from the stylistic point of view the author attempt to incorporating unique style creates an interest among the reader to read the novel. By using Death as foreshadow, the readers might get a hint regarding what is going to be happen next. In the novel the author gives a nice visionary description using vivid images of sand castle, house of cards, and so on. While reading the novel a reader can get the visual imagination of the novel.

Themes

However, the tone used by the novel cannot be very distinguishable from the other novels. Here, Death speaks to the readers as a living person, as stated by death, “Of course I’m being rude. I’m spoiling the ending….” Both of the authors kept the language of the novels simple as the novels aimed to attract the attention of the young adults. Instead of passive tone, the direct tone of the novels makes the reader to feel connected with the characters.

The line “He didn’t deserve to die the way he did,” suggests that Rudy will die which creates an interest among the readers that how and when she will die. Zusak gain incorporates foreshadowing while Death refers Hans as a granted member of Nazi Party, “Hans Hubermann was not granted membershipin the Nazi Party. Not yet anyway.” It makes the reader believed that Hans will be drafted in the later course of the novel.

“The second eye jumped awake and she caught me out, no doubt about it. It was exactly when I knelt down and extracted his soul holding it limply in my swollen arms. He warmed up soon after, but when I picked him up originally, the boy’s spirit was soft and cold, like ice cream, He started melting in my arms. Then warming up completely. Healing.” In these lines, Zukas’s use of Death as a symbol is seen when he takes the life of Liesel’s brother.  

However, death is seen everywhere in the novel as a symbol. While mentioning author’s style in the novel, Zukas gives a description how the relationship between the characters develops. Relation between Hans and Liesel, Ruby and Liesel and Max and Liesel is seen to be gradually developed as the novel proceeds. For instance, the lines “Rudy stood there, next to her. It began to rain, nice and hard… When finally she finished and stood herself up he put his arm around her, best buddy style, and they walked on,” implies a close relationship between Ruby and Liesel.

Within a frame, Lee presents a well-developed narrative with a modern American language in ‘To Kill a Mockingbird’. The use of informal language to signify that the narrator of the story is a child is another feature of the author’s style which deserves mention. The background of the story contains materials such as history, family and society. “I thought Aunt Alexandra was crying, but when she took her hands away from her face, she was not. She looked weary. She spoke, and her voice was flat,” shows lee’s presentation of a series of facts not much a commentary on the action.

Conclusion

Thus to conclude it will be apt to assert that the main purpose of the study was to analyse the two literary works Markus Zusak’s The Book Thief and Harper Lee’s ‘To Kill a Mockingbird’ from a comparative perspective. Therefore the paper performed a thorough analysis over the two. The entire course of the analysis was from different angles including context of the two books, target audience, genre, themes, language features and stylistic techniques.

Adams, J., 2011. ‘Into Eternity’s Certain Breadth’: Ambivalent Escape in Markus Zusak’s The Book Thief. In Magic Realism in Holocaust Literature (pp. 144-172). Palgrave Macmillan, London.

Jay, G., 2015. Queer Children and Representative Men: Harper Lee, Racial Liberalism, and the Dilemma of To Kill a Mockingbird. American Literary History, 27(3), pp.487-522.

Jay, G., 2015. Queer Children and Representative Men: Harper Lee, Racial Liberalism, and the Dilemma of To Kill a Mockingbird. American Literary History, 27(3), pp.487-522.

Johnson, S.K., 2015. Pain, Death, and Nazis: The Surprisingly Beautiful Function Death Plays as Narrator in Markus Zusak’s The Book Thief.

Lee, H., 1990. To kill a mockingbird. Litigation, pp.68-58.

Maher, S.C., 2013. Using” To Kill a Mockingbird” as a Conduit for Teaching about the School-to-Prison Pipeline. English Journal, pp.45-52.

Nahajec, L., 2014. Negation, expectation and characterisation: Analysing the role of negation in character construction in To kill a mockingbird (Lee 1960) and Stark (Elton 1989). In Pragmatic literary stylistics (pp. 111-131). Palgrave Macmillan, London.

Nilsson, E., 2018. Bringing Death to Life: The Personifications of Death in Zusak’s The Book Thief, Moore’s A Dirty Job and Pendle’s Death: A Life.

Proehl, K.B., 2013. Sympathetic alliances: Tomboys, sissy boys, and queer friendship in The Member of the Wedding and To Kill a Mockingbird. ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 26(2), pp.128-133.

Zusak, M., 2007. The Book Thief. Picador Australia.

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